In the palace interiors of that period, full grand magnificence reigned. The newly invented style was supposed to glorify the power of the monarch. The problem was solved simply: more massiveness, carving and gilding. Acanthus leaves, fruits and heads of fauns were combined with military symbols.

Passing the gallery

Materials prepared: Julia Sakharova

Magazine: N (87) 2004

In the second half of the seventeenth century, France became the leading European power. Urgently had to catch up and overtake Italy, including in terms of tastes and fashions. On this occasion, under Louis XIV (1643-1715), there was even a special department, the head of all arts, headed by the painter Charles Lebrun. And then it began ... In the palace interiors of that period, full grand magnificence reigned. The newly invented style was supposed to glorify the power of the monarch. The problem was solved simply: more massiveness, carving and gilding. The ornament is strictly symmetrical. Acanthus leaves, fruits, shells, masks and heads of fauns were combined in it with military symbolism. To the inspired ancient Rome motifs (helmets and shields) were added signs of the "Sun King": a radiant face or two intertwined letters L. Masters generously encrusted furniture with ebony, copper, tin, tortoise shell and mother of pearl. The most famous work in this technique created cabinetmaker Andre-Charles Boole, why sometimes the style is called simply "Boole". Noteworthy detail: the legs of the chairs and stools connect the transverse crossbars, forming the letter H or, later, X. The backs of the chairs are decorously high, and the low seats are decorated with fringe. In the same period, comfortable furniture with drawers spreads. This abolished chests chest of drawers, as well as the bureau. Another invention of the era is the console console. The tabletop of the console tables is often made of marble or lined with Florentine mosaic, supported by allegorical figures. (Such consoles can be found in the foyer of many luxurious hotels, as well as in houses where it is customary to hold receptions.) A sofa also appears, which resembles several armchairs. However, by the end of the period the interiors lose their pomp and become graceful, heralding the subsequent styles of the Regency and Louis XV. Return to the Library of Styles