To the architect Arunas Scrolis was to build a house on a small plot located in one of the picturesque districts of Vilnius near the park. The characteristic tact for the Balts in relation to the environment and the love for simple but expressive forms also manifested during the work on this project. A small elevation difference in the area did not level out, trying to disturb the existing landscape as little as possible. Instead of invading the natural life, the architect chose to change the "relief" of the house itself, rather than the plot. He was not afraid to be natural, and the project only benefited from this: wide windows on one of the facades allowed to let in more sun. The restrained color reminds of the calm colors of the Baltic landscape in this house, and the abundance of light (both natural and artificial) compensates for the lack of sunlight.

Such a love for nature also affected the choice of materials for construction - preference was given to the traditional for this area wood, ceramics and natural stone. Quite a young age of the owners influenced the image of the building itself. Wary at first by an unexpected “dynamic” layout, the owners were inspired by the work, suggesting that the architect come up with something else. The result was a laconic in terms of and very expressive in silhouette a two-story house - with a sloping roof, a plastic game of architectural arcs, ledges and indentations of volumes. The first floor is intended for "public" classes: there is a spacious living room with a fireplace, created according to the architect’s sketches, a small kitchen adjoining it and a study. On the second floor, the family’s private life was concentrated: here are the parents' bedroom and two children's rooms.

The house is dynamic and lively: each of the facades has its own character and face. From the side of the street, it looks quite restrained both in outline and in color. Only the entrance to the house and the entrance to the garage are knocked out of the general facade line by a bright, almost sculptural volume. One of the side facades is more “liberated”, its wall is decorated with tiles and mosaic panels that are popular in the Baltic States. For his facing architect used an unusual concrete tiles, made by hand. Laid out with its help, the sun sign on the facade symbolizes a warm and sun-filled house; It would seem that these are all trifles, but the living atmosphere of the house and its character are built from such minor details. Attention to the inconspicuous, secondary gives the quality of the work of the architect. Even the problem of shed roofs in this project has been solved quite ingeniously. On the ramp there are reinforced guides along which rain or melt water flows into the pipe. The pipe itself runs around the perimeter of the expressive arc and leads the water into a small canal by one of the walls - so on rainy days a small pond appears near the house.

All members of this family really wanted to have a pool in their house, even if it was of a modest size. And the dream has found real and very non-trivial forms. The pool was placed right in the house, connecting it with nature with panoramic windows. In the hot months, they can be moved apart, and the boundaries of the interior and the surrounding landscape become conditional. The permeability and openness of the space influenced the decor of the interior. The main color in all rooms is white. In order to shade it, several warm spots were introduced: light wood (floors, furniture) and rich lingonberry in the facing of the stairs and the pool.